An eclectic, contemporary art gallery in the heart of Bozeman, Montana
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Artist Bios: Photography & Reproductions
Annie was born and raised in Montana, growing up on her family’s ranch in the Smith River Valley, near White Sulphur Springs. Her work is about capturing the wide open spaces and forgotten places that exist in the rural areas in Montana and the West. She loves all things old and enjoys photographing relics of the American West such as grain elevators, barns, and farmhouses. The sky also holds a particular fascination for her, and her photography often incorporates unique cloud formations and stormy skies. Annie attended the Colorado Institute of Art in Denver, and has many years of design and art experience. She also has a background in historic preservation and studies the architecture of rural communities. Annie currently lives in Billings, Montana, working out of her home studio.
Artist Statement: I have always felt a need to draw, to make things, and pick up a paintbrush. I like to consider the form of things, it's overall shape and outline. I like bright colors and things that make your home feel alive. Color is a great way to bring life to a room. I believe you should surround yourself with great things that make you feel good.
Since the late 1960’s my primary recreational interests have been outdoor activities. Mountaineering, back packing and white water rafting trips have allowed me to experience and develop an appreciation for the natural world. I started taking photographs as a way to document and record the beauty of the places I visited. In the mid 1990’s photography started becoming more important to me. Now my goal with photography is to enjoy the experience of being in the natural world and try to capture the essence of special places and creatures on film. I also enjoy creating abstract, impressionist, or unusual images by using techniques such as multiple exposure, reflections, and taking pictures of images in water drops.Photography is my passion. I love the excitement of seeing a grand landscape when the light is just right, or observing wildlife, and especially in looking for the small interesting details of nature up close. When the lighting is mediocre, and the wildlife are nowhere to be seen, I can spend hours taking pictures of flowers, insects, images in dew drops, or interesting patterns. After spending most of my life in the Seattle area, I retired In December 2000 and moved to the Methow Valley in North Central Washington, where I live with my wife, Mary Ann. I now spend most of my time pursuing photography and enjoying the outdoor recreational activities that this area has to offer. These photographs were taken as they actually occurred and were not digitally created.
Claire Rose Kleese is a Montana born artist/illustrator who grew up in the beautiful Bitterroot valley. Having lived in Wisconsin, Arizona, Oregon and after college travelled the world, she returned home to Montana in 2012 and now lives in Bozeman where she works as an independent artist and designer. For years she has been creating original prints, commissioned artwork for private residential and commercial collections, public artworks for the State of Montana, business logo design, album artwork, custom invitations, and event posters. Her style of artwork involves intricate freehand pieces created with india and prism ink on watercolor paper. Time spent in the outdoors and a passion for music are influential elements displayed throughout her work. Reminiscent of Japanese wood block with Scandinavian influences, her unique intense detailed ink sketches are focused on the environment. “To me , detail is where beauty resides. I try to convey the message to slow down and enjoy the small intricate elements . Each line serves a purpose to the greater image. To me this is a dialogue of the environment for which we live. Living, exploring and traveling to beautiful spaces provide constant inspiration that I hope to share in my artworks.” When not creating artwork, Claire enjoys writing/playing folk music in town, backcountry skiing, climbing, running the trails, and fly fishing the lovely rivers
Molly McGrath is a designer based in the Mission district of San Francisco. She is professionally trained as an architect, and after using a laser cutter to make architectural models, she recognized the machine’s unique potential to make jewelry and other designed objects. Her collection includes jewelry and homewares.
Molly designs and produces all of the work in San Francisco and is focused on conceptual integrity, material exploration, and figuring out new ways to use her laser cutters. Her approach to design is heavily influenced by her background in architecture - a synthesis of concept, form, material, details, connections, and use.
She is inspired by graphic design, architecture, textiles, and nature and runs her studio in the werkstatte tradition - a hybrid of design, craft, and tech with a focus on the applied arts.
Like for many photographers, my fascination with photography began at an early age.
For me it was at 16 when I took my first photography class in high school. I was always adventurous and with my first camera, a Pentax Spotmatic, I began exploring the local mountains of Washington State. At around this time, I also began spending my summers working with my father on his fishing boat in Alaska . . . more big adventure. I went on to spend 20 seasons in Alaska fishing for salmon and herring.
After receiving a degree in Commercial and Portrait Photography in the early 80s, I made my first overseas journey, a 3.5 month trip from the top of Norway to the bottom of Greece. I was hooked. Photography and travel are so interrelated to me now that I can’t imagine doing one without the other. My wife Magrit and I now spend 2 to 3 months each year on the road, photographing and leading photography travel tours/workshops.
With the advent of digital capture and digital post-processing techniques, I am more excited than ever about the craft of photography. We are able to capture incredible detail and tonal range with the new cameras and software. It is truly amazing.
The novelist Isabel Allende writes beautifully about the photographic process in her book Portrait in Sepia.
“If you observe an ordinary object or body very closely, it is transformed into something sacred. The camera can reveal secrets that the naked eye or mind cannot capture; everything disappears except the thing that is the focus of the picture. The photograph is an exercise in observation, and the result is always a stroke of luck. The camera is a simple apparatus, even the most inept person can use it. The challenge lies in creating with it that combination of truth and beauty called art. The quest is above all, spiritual.”
Magrit and I live in Edmonds, a delightful little town on the Puget Sound, just north of Seattle.
What does it mean to be an artist? Well, here’s a thought: WHO CARES? Not me, that’s for sure. You pick up a paint brush, you paint something, and BOOM! You’re an artist. Good for you.
Sure, I could have been a doctor, or a nuclear physicist, or possibly even a toll booth attendant, but a) I’m not that smart, and b) I have no commercially viable skills whatsoever. Except for painting. So here I am.
Born in Glocester, Rhode Island where a man is a man, a woman is a woman, and babies are sent into the forest at the age of six months to be raised and educated by squirrels, I eventually broke free and went to Bates College in Lewiston, Maine. While at school, I majored in Studio Art, learned to paint photo-realistically, and was the cartoonist for the school paper. Two years after graduating, I was barely making a living painting pretty little landscapes, and it occurred to me: What if I combined my pretty little landscapes with my cartooning sensibilities? That’s when I started adding UFOs, aliens, and flying people to my work. Then came the penguins and the zombies. And the sock monkeys and the garden gnomes. And any other random thing that would pop into my head when I sat down to paint.
A common question: “Greg Stones, where do you get your ideas?”
From YO MOMMA, that’s where! BOOM! (I just dropped the mic and walked off the stage.)
In all seriousness, I don’t know where the ideas come from. Although I do suspect that Red Bull is involved. I will have to look into it and get back to you. (Editor’s note: He will never get back to you.)
Here is my favorite thing about being an artist: I get to write and illustrate books. In 2012, Chronicle Books published my title Zombies Hate Stuff, and since then they have also published Penguins Hate Stuff, Zombies Have Issues, Sock Monkeys Have Issues, Ninjas Have Issues, and Garden Gnomes Have Issues. My books are in Barnes & Noble, on Amazon, and occasionally at used bookstores, which makes me very sad, because who didn’t want my book anymore?? (Probably someone who is dead inside, that's who. So there.)
Well, that’s all I have to say about being an artist and an author and a man who was raised by squirrels. (Little known fact: Acorns are DELICIOUS!)
James Philip Weikert is an oil painter and architectural designer living and working in Bozeman, Montana. He was born in Florida in 1977, but he and his family soon moved to a small town in the White Mountains of New Hampshire. This rural environment allowed him the opportunity to spend countless hours exploring the surrounding forests, lakes, and rivers. James attended Norwich University in central Vermont, where he earned a Bachelor of Architecture and Minor in Art. It was while at Norwich University that James first developed an interest in oil painting. Drawing on his background in architecture and love of the outdoors, he created a painting style that blended elements taken from both the built and natural environment. Most of his early work is a reflection of the New England landscapes he grew up in. After spending several years living near the New Hampshire seacoast, James moved to Montana in the fall of 2003. His work was immediately influenced by the dramatic landscapes of the northern Rocky Mountains. This new inspiration compelled James to focus on improving and progressing his technique in the hopes of becoming a full-time artist. He recently completed the Montana Artrepreneur Program (MAP) to gain a better understanding of how to grow a sustainable art business. In addition to a full time job in architecture, James currently maintains a studio space at The Foundry, a cooperative studio and gallery space in Bozeman, Montana. His work can be found in a growing number of galleries and shops throughout Montana and the western states.
Statement: My connection with the natural world began in the rural environment of my youth in northern New Hampshire. Now in the Rocky Mountains, my work continues to be inspired by exploring and experiencing both the built and natural world in which I interact with. During my creative process I transform memories of my explorations from snapshots of static landscapes into living, moving compositions. A background in architecture helps give me a unique perspective of the forms, colors, and patterns present within the places I visit. I incorporate these elements into my paintings to create bold interpretations of familiar landscapes.